Pitches & EPKs.

A pitch is the polished, outbound version of a collection. Cover image hero, title, paragraph of context, ordered track list with inline players. Same paper palette as the rest of Cue, but fronted with your workspace's logo + accent color so it reads as your page, not ours.

Lives at /p/<slug>. Publish it live for the world, or keep it unlisted behind its unguessable slug.

/pitches → new. A title is all it takes — you land in the pitch room, where the sheet's settings live:

• ·Title + description (one paragraph; appears under the cover hero).
• ·Cover image — upload one straight from the editor, or paste a URL.
• ·Tracks — the pitch owns its own track list; add from the library and drag to reorder right in the room.
• ·Template: Quiet or Gallery — two hero treatments of the same editorial one-sheet.
• ·Slug (auto from title, rotatable to invalidate old links).
• ·Publish state (draft vs live).

The pitch owns its track list — add, remove, and drag to reorder in the room, and the public page follows. Track metadata still has one source of truth: edit a track's title in the library and it updates on every pitch it appears on.

The public page streams the 320 kbps proxy; switch downloads on and recipients get the master. Personalized share links go further — their playback is watermarked per recipient, so if a track leaks we can tell you which share it came from.

Public pitches cover the same use case as a shared playlist on a catalog tool — listen-through, branded, with metadata. The two differences:

• ·Same workspace runs feedback rounds on the same tracks. The pitch and the review live together.
• ·Unlimited tracks on every paid tier, and ours reads more like a real EPK page than a catalog widget.